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Children at Play: An American History
By Howard P. Chudacoff, New York University Press, New York and
London
Copyright 2007 by New York University
"[Prior to the electronic era]...play was unrestricted by inflexible rules or software.... Most of the toys could be used in both intended and unintended ways [underline added]....Monopoly money...could serve countless purposes unrelated to the board game....The point is that many formal toys promoted improvisation and stretched a child’s imagination in a manner that, unlike today’s electronic toys, was not ruled by a media backstory (xiii)." - Howard Chudacoff -
• Implications for Music/Piano Teaching: Piano lessons can offer children creative and executive experience. But “structured” creative activities, such as playing a 4-bar question and answer, or varying a piece, should be balanced with less structured creative activities. Unlike structured creative activities, open ended activities allow children to involve themselves in their own completely self-initiated and self-directed creativity.
• Encouraging Spontaneous Innovation, and Creative Self-Direction: Teachers can help parents understand that it’s ok, and desirable, to allow children of any age some time to play what they choose, how they choose (well, not with a baseball bat!), for their own purposes. As teachers know, some parents mistakenly see all such experimentation as unacceptable “banging on the piano.”
• Teachers, also, can monitor the balance between structured
and minimally structured creative activities they offer students. It isn’t
necessarily laziness to say to a student “just make up anything you want -- you
decide,” as an assignment for next week. Children begin by being able to do
this before they encounter lessons. Keeping this going, along with more formal creative activities, encourages innovation, self control, and development of other important executive functions.
By Cynthia Pace, EdD.
Site Map / Pedagogy Thoughts / Conceptual Learning / Activating Independent Creativity